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The
Nokia Lumia 1020's 1/1.5-inch sensor is capable of capturing a lot of
detail and by converting its DNG files in a Raw processor you can
squeeze a touch more out of it.
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Smartphone
cameras have improved a great deal over the last couple of years, and
those improvements have had a dramatic impact on the market for
consumer-level compact cameras. Sales have plummeted as most consumers
simply don't see the point of carrying and paying for a compact camera
when their smartphone delivers image quality that is beyond what's
needed for social sharing and on-screen viewing.
The situation is
slightly different in the enthusiast compact space, though. Compact
cameras targeted at enthusiast users come with one feature that until
recently no smartphone could offer: Raw file capture. The ability to
process Raw files and modify shooting parameters after capture on your
computer's high-resolution monitor is something many serious
photographers don't want to live without.
However, as usual,
smartphone manufacturers are moving fast, and in November 2013 Nokia
launched the first smartphone with Raw capture: the Lumia 1520. The same feature was made available through a firmware update on Nokia's flagship smartphone, the Lumia 1020. Google also announced the implementation of Raw file capturing capabilities in future versions of Android. So it seems Raw capture is about to become a common feature on smartphones, at least on high-end models.
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The Nokia Lumia 1020 comes with one of the best smartphone cameras we have tested.
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After installing the Nokia "Black" firmware update you can now also capture images in DNG Raw format.
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What does that mean for mobile photographers though? We already had a look at the Nokia 1520's Raw files in our full full review of
Nokia's latest model and found the advantages of shooting Raw on the
1520 to be limited. Of course you have the flexibility to modify image
parameters such as white balance, sharpness or contrast in
post-processing, but it's difficult to squeeze additional detail out of
the Raw files and the 1/2.5-inch sensor's limited dynamic range means
only very minor shadow and highlight corrections can be applied.
Therefore, we were quite curious to find out how the Lumia 1020's Raw files would fare in processing. In our review
we were quite impressed with the phone's JPG output and with its larger
1/1.5-inch imaging sensor. We expect the 1020's sensor to offer more
dynamic range than the small-sensor 1520. We installed the Nokia "Black"
update on our Lumia 1020 and then went out to take pictures in a
variety of light situations. Back in the office we processed them in
Adobe ACR to see if they allow for any improvement over the
out-of-camera JPEGs.
Image Detail
The JPEG-engines of
digital cameras apply detail-smearing noise reduction to the image-data
that is captured by the sensor, even at low ISOs. If you need maximum
detail in an image and are happy to accept some noise, converting a
Raw-file with noise reduction set to zero is therefore a good option.
Most Raw-converters will apply some noise reduction, even with the
slider in the zero position, but it's still the closest you can get to a
noise-reduction-free image.
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We experimented with different sharpening parameters in Adobe ACR in order to maximize detail in our Nokia Lumia 1020 DNG file.
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To
find out how much, if any, additional detail you can squeeze out of the
Nokia's Raw files we processed a couple of low-ISO files with different
noise reduction and sharpening settings in Adobe ACR.
For the
first sample we set luminance noise reduction to zero and applied some
fine sharpening (Amount 56, Radius 0.8, Detail 41). In the 100% crop of
the brickwork below you can see that higher levels of detail can be
achieved but the difference will only be visible at a 100%
magnification. Apart from the obvious tone curve differences, edge
sharpness is better in the converted Raw file and some additional
low-contrast detail in the brickwork of the church has been revealed. On
the downside you also get noticeably more grain in areas of plain
color, such as the sky or the green roof of the building, and the
shadows.
In a second step we downscaled the converted Raw image to
5MP in order to compare it to the 5MP JPEG that is captured alongside
the DNG file. At the reduced image size the Raw file's grain is almost
entirely averaged out but the increase in detail is gone, too. Thanks to
Nokia's pretty efficient downscaling algorithm it's almost impossible
to see a difference between the 5MP out-of-camera JPEG and our processed
image.
Overall, in terms of detail, processing your images is
only worth the effort if you are planning on using them at native
resolution (the images below were captured separately because the camera
can only save a 38MP RAW or a 38MP JPEG along with the usual 5MP JPEG.)
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Out-of-camera JPEG, ISO 100, 38MP
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100% crop
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Adobe ACR, ISO 100, NR 0, sharpening
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100% crop
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Out-of-camera JPEG, ISO 100, 5MP
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100% crop
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Adobe ACR, 38MP, downscaled to 5MP
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100% crop
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High ISO Noise Reduction
Noise
reduction does its job by blurring noise. Some noise reduction
algorithms are more intelligent than others but, no matter what camera
you are shooting with, noise reduction inevitably also blurs some fine
detail. Even with noise reduction "switched off" some of it is applied
to your images. Enthusiast compact cameras and digital SLRs at least
give you some control over this parameter.
This is not the case
for smartphones. You are stuck with the amount of noise reduction that
is deemed right by the engineers. On the Nokia Lumia 1020 you can apply
your own noise reduction mix by converting the device's DNG files. In
this section we are having a closer look at the Nokia's high-ISO Raw
files.
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Processing in Adobe ACR or any other Raw processor allows you to apply noise reduction to your personal taste.
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When
shooting in auto mode the 1020 never really goes higher than ISO 800
and relies on its image stabilization system to get a sharp image. The
night scene below was even captured at ISO 640. At this sensitivity some
loss of fine detail and grain is visible at 100%, but overall Nokia's
full-resolution output still looks pretty good.
When we convert
the DNG file with both color and luminance noise reduction set to zero,
it becomes clear how much noise is in the image. There is a lot of grain
and color blotches, but the image also looks a touch sharper.
Increasing the color noise reduction to 25 gets rid of most of the color
noise, but preserves most of the detail. However, the 1020's JPEG
engine is doing a decent job at higher ISOs and the additional amount of
detail you get through Raw processing is limited.
We also
produced a "clean" version of the Raw file by setting luminance noise
reduction to 45, in addition to the color NR. The end result is not too
dissimilar to the out-of-camera JPEG, albeit with a little less
sharpening applied.
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Out-of-camera JPEG, ISO 640
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100% crop
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Adobe ACR, no noise reduction
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100% crop
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Adobe ACR, Color NR 25
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100% crop
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Adobe ACR, Color NR 25, Lum NR 45
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100% crop
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We
went through the same procedure as above with an ISO 1600 DNG file. We
had to set the Lumia to manual ISO to make it capture this shot in a
dimly illuminated gallery at ISO 1600. As you can see the out-of-camera
JPEG is pretty clean, but also a little soft. It's obvious that
low-contrast detail is being lost through noise reduction. With all
noise reduction set to zero, chroma noise becomes very intrusive - but
you can see that some additional low-contrast detail is hiding behind
all the noise.
Again, applying some color noise reduction
eliminates all the chroma noise and generates an image with good detail
but a lot of grain. Reducing the grain by increasing luminance noise
reduction makes the image look cleaner, but swallows some low-contrast
detail and generates an overall softer look.
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Out-of-camera JPEG, ISO 1600
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100% crop
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Adobe ACR, no noise reduction
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100% crop
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Adobe ACR, Color NR 25
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100% crop
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Adobe ACR, Color NR 25, Lum NR 37
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100% crop
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