Among the features introduced in Nikon's new D5 and D500 DSLRs, we're
very excited by automated AF Fine Tune. This feature allows users to
quickly fine-tune their specific camera bodies and lenses, maximising
the chances of a sharp shot and avoiding the lengthy process of
trial-and-error tuning that was previously necessary. Watch our video
and read our in-depth analysis.
What's the problem?
If you're a DSLR shooter, you may be acutely aware of consistent
front or back-focus issues with some of your lenses, particularly fast
ones like F1.4 primes. Mirrorless users tend to not have such issues,
because their cameras focus using their image sensors. When a mirrorless
camera says it's achieved focus, generally it's actually in focus. That
doesn't necessarily hold true with DSLRs, which use a secondary
phase-detect sensor under the mirror as a sort of proxy for focus at the
imaging plane. This makes DSLR focus sensitive to misalignments between
the secondary AF module and the image sensor, and also requires
calibration of the optics inside the module itself. Furthermore, the way
these phase-detect AF modules makes them sensitive to certain lens
aberrations, like spherical aberration.
Manufacturers of DSLR bodies and lenses do a lot of calibrations to
make sure that this isn’t an issue, calibrating every AF point at the
factory, writing look-up tables into lenses, and more. But the reality
of tolerances is such that you’ll be best off if you calibrate your
particular copy of a lens and your particular copy of a body yourself.
That’s what AF Fine Tune, or AF micro-adjustment as Canon calls it, is
all about.
State of the current art...
Up until now, this calibration procedure has required cumbersome
procedures for accurate calibration. We'd often set a camera up on a
tripod and align it to a LensAlign
(which has a sighting tool), then have to change the set up to test
different subject distances, lighting, or lenses. Some photographers
even try to Fine Tune on the spot by trying different values and seeing
if a real-world target looks sharper or not - but this method is
extremely prone to error. Solutions like FoCal have tried to automate the procedure, but again, the requirement of a chart and a computer is cumbersome.*
... disrupted
Nikon's new automated AF Fine Tune makes things as easy as child's
play. It uses contrast-detect AF in live view, which focuses using the
image sensor and is nearly always accurate, to calibrate its own
phase-detect AF system. Watch our video above to get an idea of just how
easy it is to calibrate your lenses on the new D5 and D500 cameras.
A couple of things are worth keeping in mind. For some lenses and
systems, the optimal calibration value can change for different subject
distances. This isn't necessarily always the case, but you may wish to
calibrate for the subject distances you're most likely to shoot for any
particular lens. For a good all-round calibration, we're told that using
a target approximately 40x the focal length away strikes a good
balance.
The key here is to play around a bit. Try a couple different
distances, a few different runs, and make sure you're getting a
consistent result. Sometimes we've found the optimal value to change
with lighting temperature, but this sort of thing is precisely why the
automated procedure is so valuable: if you're running into trouble with
focus, you can - right at the wedding reception you're shooting - set
the camera on a table, point it at a static object, and calibrate your
camera in under 10 seconds. Yeah, we timed ourselves.
The result
Here's an example of how Fine Tune helped calibrate our Nikon 24/1.8
to our D5. Roll your mouse over the 'OFF' and 'ON' buttons to see Sam's
eye sharpen up. If you click on the main image, you can see the full
image in a separate window, where you'll notice that the 'OFF' shot is
front-focused on Sam's nose, while the 'ON' shot is focused correctly on
his eye. We placed a single AF point over Sam's left eye (on camera
right) for focus in both cases.
 |
|
|
AF Fine Tune OFF
(focused on nose)
|
AF Fine Tune ON
(focused on eye)
|
In this case, for this lens paired to this body, automated AF Fine
Tune found a value of +14 was best. This indicates that for correct
focus, the camera has to shift focus backward an arbitrary 14 units from
the focus reading the phase-detect sensor makes. In other words, out of
the box, this lens on our D5 front-focuses. If it had back-focused
out-of-the-box by a similar amount, we might have expected the automated
procedure to find -14 to be the optimal value.
How we'd like to see this feature evolve
AF Fine Tune currently only writes one global value per lens. This
means the calibration value can't be adjusted for either end of a zoom.
Furthermore, only the center point can be calibrated - the camera
assumes that the calibration at the factory ensures all points are
consistent with one another and, importantly, the center point. Finally,
as mentioned earlier, sometimes the optimal value can change based on
subject distance.
Canon cameras currently at least offer to microadjustment values for
either end of a zoom, but don't offer any sort of automation to help you
out. Sigma and Tamron USB docks allow for calibration at either end of
the zoom, and for 3 to 4 different subject distance ranges, allowing for
a high degree of accuracy of calibration. Unfortunately, entering 4
different subject distance ranges for two ends of a zoom mean the user
has to literally set up the camera 8 times, with some sort of test
target for accurate assessment - hardly practical for most working
photographers.
The key here is automation: automating opens up a world of
opportunities, and automated Fine Tune is an important first step. We'd
even imagine a future implementation where calibration data for all
focus points is stored and learned from over time. Every time
you calibrate a particular point, the camera could retain subject
distance information (passed on to it via the lens), and over time learn
the best calibration values for each point, for all subject distances,
for different temperatures and lighting as well (the latter are often
minor concerns).
To sum up...
Nikon's automated AF Fine Tune is truly one of the most welcome
features we've seen added to a DSLR in recent times. We've wondered for
years why camera companies don't use their contrast-detect AF to
self-calibrate their phase-detect systems, instead relegating
calibration to a cumbersome end-user experience.
Automated Fine Tune changes all that. It’s a really useful feature
that takes a lot of guesswork and cumbersome aspects of calibrating
yourself out of the equation, allowing you to do it on the spot, at an
event, anywhere, on the fly. In fact, anyone working with
shallow depth-of-field imagery should absolutely perform this procedure.
Wedding, newborn, portrait, lifestyle, photojournalist, and even sports
photographers: take note.
* We really like Reikan FoCal for
research purposes though: you get a plethora of data for how a
body/lens combination behaves at different subject distances, on
different days, under different lighting, and even a map of the optimal
calibration value per AF point. Of course, since you can only
enter one global adjustment value into your camera, this information is a
bit more academic, but if you want to get an idea of the behavior of
your system, there's probably no more comprehensive tool than FoCal.
0 comments:
Post a Comment