Last month we got to spend a short time
with Nikon's latest 1-System camera: the V3. This camera is arguably the
most enthusiast-oriented Nikon mirrorless yet, with an advanced
autofocus system, twin control dials, super-fast continuous shooting
(with AF), Raw support, and 1080/60p video. The V3 also supports an
optional 2.36 million dot EVF as well as a grip that not only gives you
something more substantial to hold on to, but also an additional shutter
release, custom button, and control dial.
A sleeker look, but goodbye EVF (sort of)
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The Nikon 1 V2
was a rather awkward-looking camera, with an angular body and
pronounced 'hump' on the top for the built-in EVF. The V3 has a much
more traditional rangefinder-style design and is not as tall as the V2 -
but it's larger in every other dimension (and heavier, too) The reason
it's not as tall is obvious: there's no longer a built-in EVF (but see
below for more).
Build quality is solid, and the camera is easy
to hold, and for those who want a more substantial grip, you can screw
on the optional one shown later in the article.
In a move that
will please enthusiasts (for the most part), the V3 now has three
control dials (plus one more if you're using the grip). There's one on
the front of the camera, another on the top, and a third around the
four-way controller on the back of the camera.
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| You can just catch the rear dial on the top plate in this photo, as well as the third dial that surrounds the four-way controller. |
Something
that enthusiasts may not appreciate is that none of the dials can
directly control exposure compensation, even in full manual mode.
The V3 has a pair of customizable buttons (Fn1 and Fn2) - and, if you have the battery grip, you get a third.
As
with other Nikon 1-Series cameras, the V3 does not have a standard hot
shoe. Instead, it has Nikon's proprietary accessory port, to which you
can attach a flash (there are two to choose from) or stereo microphone.
The camera does have a built-in flash, with a guide number of 5 meters
at ISO 100.
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While
the V2 had a fixed LCD, the V3 has a tilting, 3" touchscreen with 1.04
million dots. As you'd expect, you can use the touchscreen to focus and
take photos, and flip through photos in playback mode. The buttons on
the left of the display tilt as well, as does the hidden infrared port
for an optional wireless remote.
One other design-related thing to
note is that the V3 now uses microSD cards instead of the traditional
SD cards used by the V2. It's not really clear why they're using them,
as there's plenty of room on the camera for a 'full size' SD card.
New sensor, new AF system
The
V3 uses a new 18.4 megapixel CX-format (1"-type) CMOS sensor - up from
14.2MP on the V2. The sensor has no anti-aliasing (low-pass) filter,
which promises higher resolution. But there's more to the new sensor
than higher resolution. Both sensors have Hybrid Autofocus, which
combines contrast and phase detection. The V3 has a large advantage over
its predecessor, not only having more contrast detect areas (171 vs.
135), but more phase detect points as well (171 vs. 73).
All of
those phase detect areas provide nearly 100% frame coverage, which gives
the camera a lot more area in which to work with when it comes to
subject tracking. The only camera that comes close to matching the V3's
hybrid AF system is Sony's Alpha 6000.
Improvements
in image processing now allow the V3 to shoot sequentially at 20 frames
per second, with continuous autofocus. That's a number not even
professional SLRs can match. (We'll see how accurate the AF system is
when we spend more time with the V3.)
The new sensor allows 60p
video recording, up from 60i on the V2. Recording time is limited to 10
minutes at the highest quality setting, though. There are a number of
high speed modes as well, with the ability to shoot 720p video at 120
fps being the most notable.
Another unique movie function is Jump Cut,
which captures video every other second. The V3 always has 20 full
resolution stills in its buffer, and automatically throws out the bad
ones, so when you press the shutter release, the camera will save what
it considers the best shots.
Optional extras
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| The DF-N1000 electronic viewfinder is bundled with the camera in the U.S., and optional in other markets |
If
you're missing the built-in EVF from the V2, fret not: Nikon will be
offering one, which attaches to the camera's accessory shoe. The
viewfinder has 2.36 million dots and covers 100% of the frame. An eye
sensor will switch between the LCD and EVF automatically.
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| The GR-N1010 grip alone | V3 with grip and EVF |
Another accessory is the GR-N1010 grip, which gives you something
much more substantial to hold onto, plus another shutter release button,
customizable button number three, and another control dial.
Both of these accessories will be included in the U.S., but are
optional in other regions. The handgrip will cost around €179, while the
DF-N1000 EVF will set you back around €349.
New kit lens
The Nikon 1 V3 comes with a power zoom (PD-Zoom in Nikon-speak)
version of the 10-30mm F3.5-5.6 lens that's been around since the
beginning of the 1-System. The difference is that the ring around the
PD-Zoom version serves as the zoom controller, moving the lens through
its 27-81mm (equiv.) focal range.
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| A closer look at the new 10-30mm PD-Zoom lens |
If you want to buy the 10-30 PD-Zoom by itself, you can pick one up for $299.95.
Overall
The Nikon 1 V1 and V2 are two cameras that are not frequently
discussed among camera enthusiasts. Nikon is hoping to change that, and
the V3's state-of-the-art autofocus system and incredibly fast
continuous shooting modes may catch the eye of those looking for a
second camera to sit alongside something higher-end.
We didn't have much time to spend with the V3, but it seems like a
pretty solid offering. We like the external controls and customizable
buttons, and the performance is top-notch. (Since we haven't been able
to shoot with the V3 yet, we can't comment on photo quality.) The V3
also has the requisite 1080/60p movie mode and Wi-Fi features found on
other mirrorless cameras.
One concern we have - at least here in the U.S. - is the price. Nikon
USA is bundling the camera with the 10-30mm PD-Zoom lens, EVF, and
grip, with a price tag of $1200. Considering that you can buy a Sony
a6000 with a 16-50mm power zoom lens, built-in EVF, and similar Hybrid
AF system for $400 less, the V3 doesn't seem like a great value. Despite
that, we look forward to putting the V3 through its paces, and seeing
if that burst mode lives up to the hype.







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